Best known for his late 1980s dance-pop hits “Never Gonna Give You Up,” “Together Forever,” and “Whenever You Need Somebody,” English singer and songwriter Rick Astley and his talented six-piece band brought those hits and newer ones to the Pabst Theater Thursday night.

Understated in a black blazer, T-shirt, and slim black trousers, Astley opened his set with the keys-and-bass-heavy “This Old House,” followed by “Together Forever.”

Although Astley’s 2016 album 50 charted #1 in the U.K., much of his Milwaukee audience seemed unfamiliar with his newer gospel and R&B-influenced songs, but was appreciative nonetheless, swaying and clapping along to songs such as “Keep Singing,” “Angels On My Side,” and “Dance.”

Astley seemed to enjoy performing in Milwaukee, joking and interacting with the audience. The 52-year-old crooner had a few surprises up his sleeve, including a sultry cover of Ed Sheeran’s “Shape Of You,” and playing drums and singing on a rocking version of AC/DC’s “Highway To Hell.”

“I love drumming. Besides singing, it’s my favorite thing to do,” Astley revealed to the crowd.

He also adopted a “when-in-Rome” attitude in Brew City when he and his band imbibed a few shots of Jaegermeister about halfway through the show.

“It just seems rude not to toast you, in Milwaukee, with a drink onstage. This is where the concert goes downhill,” Astley quipped. He later donated two shots to front-row audience members.

A bit of alcohol didn’t hamper Astley or the band’s performance, however. The two backup singers, who he introduced as Lauren and Stephanie, added another layer to Astley’s deep and soulful vocals with their impressive ranges, especially during the 1991 single “Cry For Help.”

Astley often encouraged the crowd to sing along to the songs louder, pointing his microphone at the audience.

For the 1988 ballad, “Hold Me In Your Arms” Lauren and Stephanie were recruited to help the crowd increase their volume, asking the women to sing first, then the men.

The bass player, keyboardist, and drummer provided a cohesive rhythm section, playing funk, pop, and R&B-influenced songs seamlessly.

While Astley’s guitarist didn’t have many soloing opportunities, he demonstrated his chops during the “Highway To Hell” cover, and by breaking into a solo when Astley introduced the band at the end of the show.

Astley and his band came out for a three-song encore, performing “Whenever You Need Somebody,” Rihanna’s “We Found Love,” and concluding with the song that shot him to stardom and made him an internet sensation, “Never Gonna Give You Up.”

The audience, which consisted of a mix of baby boomers, Gen Xers, and millennials, sang along word-for-word, dancing in seats and holding up cell phones.

Astley, a class act, was a gracious guest to the Pabst, thanking the theater crew for making him and his band comfortable.

“We couldn’t have done this without you,” he said.

When he asked the audience if they wanted him and his band back to perform, they answered with a resounding “yes.”

Astley replied that he’d be back. After such an entertaining show, it was just what the crowd wanted to hear.

About The Author

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Catherine Jozwik is a freelance writer, blogger, and proud lifelong resident of Milwaukee, Wisconsin. Catherine has been writing feature articles, news stories, and reviews on and off for local newspapers and online publications since 1997, including, the Waukesha Freeman, Bay View Compass, Riverwest Currents, the UWM Post, and now, Milwaukee Record, a site which she is thrilled to contribute to.Catherine holds a BA in English-Literary and Critical Studies from the University of Wisconsin-Milwaukee, and is a research junkie. To her, the Internet is the greatest invention of the 20th century. In her spare time, Catherine can be found reading and getting her latte fix at a nearby coffee shop, cross stitching, thrift shopping, browsing in one of the six libraries she’s fortunate to live near, and taking free online courses in every subject imaginable from Latin to bookkeeping. She lives in Bay View with her husband Franz and ill-tempered but lovable tabby cat, Meatball.